Found Space Theatres Are Frequently Used in Very Modern Production and Performance Art Pieces
THEATRE SPACES
Theatre: a space where a performance takes place, in effect a large machine in the form of a building that is specialized for presenting performances.
Phase types:
Proscenium phase:
A proscenium theatre is what we unremarkably think of as a "theatre".
Its main feature is the Proscenium, a "picture frame" placed effectually the forepart of the playing area of an stop phase.
The frame is the Proscenium; the wings are spaces on either side, extending off-stage. Scenery can surroundings the acting area on all sides except side towards audition, who watch the play through picture frame opening. This open side is sometimes referred to as the "4th wall", as the other 3 walls consist of scenery. "Backstage" is any space effectually the acting area which is out of sight of the audience.
Thrust theatre:
A Stage surrounded by audience on three sides. The 4th side serves every bit the groundwork.
In a typical modern arrangement: the stage is frequently a square or rectangular playing expanse, unremarkably raised, surrounded by raked seating. Other shapes are possible; Shakespeare'southward Earth Theatre was a five-sided thrust stage.
End Stage:
A Thrust stage extended wall to wall, like a thrust stage with audience on but ane side, i.eastward. the forepart.
"Backstage" is behind the background wall. There is no real wingspace to the sides, although there may exist entrances located there. An example of a modern stop phase is a music hall, where the background walls surround the playing space on 3 sides. Like a thrust phase, scenery serves primarily as background, rather than surrounding the acting space.
Loonshit Theatre:
A primal stage surrounded by audience on all sides. The stage area is frequently raised to ameliorate sightlines.
Flexible theatre:
Sometimes chosen a "Black Box" theatre, these stages are often large empty boxes painted black within. Stage and seating not fixed. Instead, each can be altered to suit the needs of the play or the whim of the director.
Profile Theatres:
Often used in "constitute infinite" theatres, i.e. theatres made by converted from other spaces.
The Audience is oft placed on risers to either side of the playing space, with little or no audition on either end of the "stage". Actors are staged in contour to the audience. It is often the nigh workable choice for long, narrow spaces like "store fronts".
Scenically, a profile theatre is most similar an arena stage; some staging as background is possible at ends, which are substantially sides. A not-theatrical form of the profile stage is a basketball game arena, if no-one is seated backside the hoops.
Sports Arenas:
Sports arenas often serve equally venues for Music Concerts. In grade they resemble very large arena stage (more accurately the arena stage resembles a sports arena), but with a rectangular floorplan. When used for concert, a temporary stage area often is set up as an cease stage at one cease of the floor, and the rest of the flooring and the stands become the audience. Arenas take their own terminology; see below.
Parts of a Proscenium Theatre:
The Proscenium is the defining element of proscenium theatre. It is basically a big picture frame dividing acting space from the audience. All directions on the stage is divers according to this division of the infinite past the proscenium.
Stage directions are given from the viewpoint of an role player standing eye stage while facing the audience, Stage Left is the actors left, Stage Correct to the actor'southward correct. Downstage is towards the audition, Upstage is towards the back wall of the stage. The Plaster Line (PL) is a line running from the back of one side of the proscenium curvation to the other proscenium. The Center Line (CL) runs upstage/downstage half way between prosceniums and perpendicular to the Plaster Line. The point where the Center Line and the Plaster Line intersect is sometimes referred to as the "naught-zero" indicate. The location of everything on stage is measured from this intersection.
Everything downstage of the Plaster line is called Forepart of Firm, or FOH. Occasionally information technology is also chosen "Ante-proscenium" which ways "earlier the proscenium". Anything the audience tin can encounter on the phase is on-stage. Annihilation on the phase but out of the audience view is off-stage or backstage. Wings are the sides of the stage, and the Fly Loft or Scene House is the space to a higher place the stage. The floor is called the Deck.
The part of the stage located downstage of the Proscenium is called the Apron, or sometimes the Thrust. The Audience seating is the Auditorium or the House.
Phase directions: L,C,R,U.s., DS etc., Plaster and Center Lines:
Proscenium, FOH, Wings, Frock, Traps and traproom:
Scene firm, Fly loft, Lock track, Fly rail, Loading rail, Filigree
House, Box boom, Beams, Cove, Booth
Ancillary areas:
* scene and prop shops,
* storage,
* calorie-free storage and maintenance,
* costume shop and storage,
* dressing rooms, green room,
* lobby & box role, publicity, administration.
Parts of an Arena:
An Arena is designed for sporting events offset. Setting up a concert means fitting information technology into a space meant for a different kind of upshot. Compromise and adaptation is frequently required.
The stage is ordinarily fix up every bit an Cease Stage, or occasionally in the center every bit an "Loonshit" Stage.
The Stage is usually set up at the Loading Dock finish of the building for ease of setup. Reverse the stage is Front of Business firm or FOH, sometimes called "Audio World", equally the Mixing consoles are located here. Standard stage directions are usually used (Stage Right, Stage Left, Downstage, Upstage, etc.). The Monitor mixer frequently become SL in "Monitor Earth", and lighting dimmers become SR in "Dimmer Embankment". The main floor at the Resch Center is designed as a hockey rink, and is surrounded by a protective wall called a Dasher, even during concerts. Seating is located on the main flooring between the Stage and FOH, and as well in the bleachers. Audience entrances from the concourses (lobby areas) into the seating bowl are chosen VOMs, short for "Vomitories", the onetime Roman name for such entrances.
Directions in non-traditional theatres; Thrust, Arena, and Profile Stages:
Defining directions more problematic on these stages, as the audience isn't located in whatsoever unmarried direction. Assigning direction can become rather capricious.
Thrust theatres:
The centre section of the 3-sided audience is often defined as "downstage".
Care must exist taken to remember the sides are also "downstage" from the viewpoint of the audience seated there.
Loonshit stages:
Assigning stage directions in an arena setting can be almost arbitrary, as all directions are "downstage" for some part of the audience. Proscenium style phase directions don't piece of work well.
Common schemes used instead include:
* Compass directions (north, south,eastward, westward) from heart stage.
* "Clock" (12:00, iii:00, half-dozen:00, ix:00) with direction of "12:00" assigned.
* Assign names to given parts of the phase space (e.g. Ar.A, Ar.B, Ar.C, etc.); areas may be different in subsequent productions with different settings.
Any of these systems can work, provided everyone working on a production is familiar with the agreed upon scheme.
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Source: https://www.ia470.com/primer/theatres.htm
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